The writing is beautiful, the history is fascinating, and the major characters all end up being something other (or more) than what they first seem. It's true that the vocabulary is difficult. If you love words, you can look everything up online or in the glossary. If you just want to know what happens next, you can go with the flow. Most of the tricky words are the parts of ships or the types of people on ships. You'll get the gist, even if you don't look them up. It's also true that the ending is a cliffhanger, but that didn't bother me, since this is part of a trilogy.
I was looking forward to this initially, having never read anything by Amitav Ghosh before. It defies any logic why this made it onto the shortlist for the Man Booker Prize, however. The characters are like something out of a kids cartoon. Every single page has swathes of slang, Hindi expressions and specialist sailing terms. This becomes super annoying because there is no glossary. The story is like a mix of mills-and-boon-meets-pirates-of-the-Caribbean. I wouldn’t be surprised if there were a sequel, movie deal and merchandise.
The use of slangs made the book difficult read. If you can imagine past that, the story is one of adventure by a good collection of characters. The ending seems abrupt and felt the book ran out of pages. However, that leaves me wanting to continue with the next in the series.
I stopped reading at page 80. The slang is just too bothersome. You'd think an author with "numerous prizes and awards" would have a good editor.
I really wanted to like this book and so I stayed with it. It jumps around regarding the different characters but it takes until two-thirds of the book for the Ibis to actual go to sea. The language of the book was also very disconcerting and made me stop and reread passages. The author tried to give a sense of english and indian slang writing complete sentences in pigin english, etc. There is a glossary at the back of the book, but it is more to describe the root of the word rather than the meaning. I got tired of looking up words and just went with the flow, hoping by osmosis I would get the meanings. The latter half of the book is less about the language (Thank God...) and more about the convergence of the different characters that make it onto the ship. And then the book just ends! A lifeboat is cast off and what happens to characters? Well, I guess you have to read the sequel...if you can find it. I have read triologies and each and every book can stand on its own. Not this one and that to me is a failing. Cliffhanger endings may be good for serial shows, but not in a book. Having lost interest in the characters, I'm not going to bother pursing the sequel or whatever. For these reasons, I would not recommend this book.
I liked the book but found The Glossary/reference re: terms, phrases, names of things less than helpful and in fact obscured things so that I had to guess as what was meant though story was quite clear. The things done in the name of the Lord astounds me sometimes and lets me know people don't read the Bible in entirety. "Neel" quoted in glossary - confused me as to whether he's real, imaginary or what. (Will read rest of series and perhaps find out.)
see chronical review of 8/16-22,, 2015 photo saved in books in evernote
All I can say is, read this as soon as possible! One of the best novels I've read in some time, it's a combination literary work and adventure tale, with a fresh commentary on colonialism, racism, and identity. The British Raj from the perspective of an array of non-European characters. Brilliant! The really good news is it's just the first of a planned trilogy...
This book is a fascinating story of a diverse group of people, mainly from the Calcutta region, linked in the opium trade of the early 1800s and brought together on a schooner taking them all to Mauritius. Of particular interest for me was the depictions of the lives of each of them and their associates under British rule. The various characters receive a sensitive portrait, including a high-caste peasant woman who depends on the crop of poppies she grows; an Indian aristocrat who loses his lands to the British and ends up in a British jail; a river boatman and the French woman he grew up with; a religious devotee who wants to become, and thinks he is becoming, the female god he adores; and an American seaman of mixed African and American heritage. Ghosh portrays each member of this diversity of class and culture with such care and detail that each has a unique setting and character, and all have depth and solidity. Even the minor characters, such as the British traders who show up from time to time are given detailed portraits, if less sympathetic ones. The fortunes of some rise, while the fortunes of others (the majority it seems) plunge.
Also fascinating are the evocative images he paints – the opening descriptions of the poppy fields, or the opium factory, or the shipboard life, are clear pictures in my mind and remain with me after reading. The extraordinary incidents of setting the sail on the jib masts, or the monsoon tidal bore that sweeps up the Hooghly River, stand out like the stories that Jack London told of life at sea.
Ghosh’s language is playful and gives another level of appreciation. He picks up words from a variety of local languages, as well as maritime slang, and if the meaning is not always obvious, the sense of it is. This gives a bit of a sense of the complex ethnic inter-relations in the region and the apparent ability of local residents to communicate effectively, if not perfectly, over language barriers. Puzzling, though, is what looks like a glossary at the back of the book, apparently compiled by one of the characters, in a highly idiosyncratic style with meanings that sometimes seem to be entirely made up. But then, that is the nature of explanatory texts – they reflect the writer’s bias and sometimes mislead. Perhaps, given the history of the region, that’s why it’s such a central preoccupation in the writing.
More than character or exotic colour, what gives the book depth is the sociological observation – the relations between castes, between the imperial powers and their various underclasses, between genders, between religions. It’s a fascinating tapestry of different themes that gives me a much richer picture of southeast Asian lives than the simple types I had before reading the book. And, I like the way that Ghosh has some characters articulate imperialist rationalizing, although he is completely convincing in the language and attitudes expressed. His characters are not stereotypes in a set game, but complex individuals who hold certain beliefs that were, I believe, well established in their time (and it’s not hard to find reflections of them today).
The ending is abrupt, but simply sets up the next volume in the trilogy. I look forward to reading the next books to follow the stories that are introduced in this book.
Took me a while to get into the rhythm of this book but I was soon hooked! An excellent saga - looking forward to reading the next one in the trilogy.
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