The NixBook - 2016
In Norwegian folklore, a nix is a spirit, sometimes appearing as a white horse, that steals children away. Its 2011, and college professor Samuel Andresen-Anderson has a Nix of his own: his mother, Faye. She abandoned the family when he was a boy; now she's re-appeared, having committed an absurd crime that electrifies the nightly news and inflames a politically divided country. To save her Samuel will uncover long-buried secrets that stretch across generations and have their origin all the way back in Norway. And as he does so Samuel will relearn everything he thought he knew about his mother, and himself.
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She's decided that about eighty percent of what you believe about yourself when you're twenty turns out to be wrong.
In the months before the protest, it was Sebastian who had printed those outrageous stories in the Free Voice about spiking the city's water supply with LSD, about abducting delegates' wives about bombs going off at the amphitheater. That no such plans were ever actually considered was irrelevant. He had learned something important: What was printed became the truth.
This is what the nation had to look forward to for the next year. Twelve full months of stump speeches and gaffes and ads and attacks and stupidity, agonizing stupidity, bordering on immoral stupidity. It was as if ever four years all news everywhere just lost perspective. And then billions of dollars would be spent to achieve what was already inevitable—the whole election would come down to a handful of swing voters in Cuyahoga County, Ohio. The electoral math pretty much ordained this.
There was an aspect of graffiti Samuel found romantic. Especially graffiti sprayed in dangerous locations. There was something romantic about a writer risking injury to put down words.
If you keep pestering the politician, you look like a pest, and America does not tune in to watch pests. It's a chilling thought, that politicians have learned to manipulate the television medium better than the television professionals themselves. When old Cronkite first realized this was happening he imagined the kinds of people who would become president in the future. And he shuddered with fear.
In the story of the blind men and the elephant, what's usually ignored is the fact that each man's description was correct. What Faye won't understand and may never understand is that there is not one true self hidden by many false ones. Rather, there is one true self hidden by many other true ones. Yes. She is the eek and shy and industrious student. Yes, she is the panicky and frightened child Yes, she is the bold and impulsive seductress. Yes, she is the wife, the mother. And many other things as well. Her belief that only one of these is true obscures the larger truth, which was ultimately the problem with the blind men and the elephant. It wasn't that they were blind—it's that they stopped too quickly, and so never knew there was a larger truth to grasp.
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