On Earth We're Briefly Gorgeous
A NovelBook - 2019
From Library Staff
“Let no one mistake us for the fruit of violence - but that violence, having passed through the fruit, failed to spoil it.”
Task 11: A debut novel by a queer author. Ocean's background as a poet shines through in the fluidity and originality of his prose. This novel is so stunning.
“Because the sunset, like survival, exists only on the verge of its own disappearing. To be gorgeous, you must first be seen, but to be seen allows you to be hunted.”
From the critics
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Autobiographical novels can be self-indulgent, dishy, or fraught. With such familiar source material, authors can wind up in the weeds, too close to the story to make a coherent narrative of it. But when these novels work, they can be gorgeous feats, giving readers searing glimpses into lives they’ve never imagined, or showing someone who needs it a slice of their own life in print. Ocean Vuong’s On Earth We’re Briefly Gorgeous is absolutely the latter.
With the novel framed as a letter to his mother, Vuong’s character, Little Dog, follows a trajectory that closely matches his own life growing up in Hartford, Connecticut. He’s child of a Vietnamese mother – whose own story is heartbreaking – and a father who barely exists in the narrative beyond a sense of distant terror, now absent. They arrive in Hartford during Little Dog’s early years; his mother works in a nail salon, and tries to make the best life she can for them, plus her mother Lan. It’s an unrequited narrative, in that Vuong’s narrator is certain his mother is unable to span the emotional and cultural distance required to read the book he wrote her, even as he writes it.
Vuong does much more than recount the challenges of coming to America as a young child, in a family scarred by the traumas of war. He uses achingly beautiful language to try to span the distance he feels between his mother, aunt, and grandmother, still so rooted in their Vietnamese memories and culture, and his own life as a gay man fluent in American and Vietnamese culture, but not completely at home in either.
Vuong’s prose shifts between imagining his mother’s and grandmother’s lives in Vietnam, and parsing his own life, from his childhood, through to his first romance with an all-American, foot-ball loving boy he meets picking tobacco one summer in high school, and finally into his early adult years. The novel is permeated by a sense of unbelonging: his own, his family’s, but also that of the young people he bonds with in Hartford and New York City who feel left behind and broken, and begin to fall to the opioid epidemic.
Vuong’s prose folds outward prismically, his honed poet’s voice lending layers of understanding to situations too often given superficial treatment in the news or social media. For readers who love to scan a text for different readings, this book is weighty and melancholic, stunning in how it unravels to tease more meanings. While anyone who gets most of their enjoyment from a tight plot may find themselves frustrated, those who engage with rich language and complex characters may find their book of the year.
A letter from a young man to his illiterate mother, 'On Earth We're Briefly Gorgeous' follows the narrator, Little Dog, as he comes of age on the East Coast with his Vietnamese refugee mother and grandmother. The novel chronicles Little Dog's experiences as he explores his identity, as well as the narratives of his mother and grandparents in their native Vietnam.
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All freedom is relative—you know too well—and sometimes it’s no freedom at all, but simply the cage widening far away from you, the bars abstracted with distance but still there, as when they “free” wild animals into nature preserves only to contain them yet again by larger borders. But I took it anyway, that widening. Because sometimes not seeing the bars is enough.
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